The Wake Of We

a going concern

 

For what little it’s worth now, 

we might as well be a boatful of grasses 

beached on a highway: not the first time 

we’d have met each other in the wrong 

 

vehicle at the right nominal event. Or 

mistaken it for something else entirely. 

Yet here we are, believing there's room 

enough in what's left of land between us 

 

and sky to contain the end we’ve always 

been becoming. So we push on through 

the last inch of night, through sand-reed 

and rust to planks of dune parting us 

 

from the sea. Wading into the bull pines 

at dawn, the young ones got here early, 

chose pine stalks fallen on the duff mat, 

then hauled them back to the beachhead 

 

to stack crosswise for our incineration. 

Watching us waft in like dawn light, 

they know it is right to give us something 

to do: so we take our weightless fingers 

 

into the sedge and scavenge kindling. 

Hunched over heaps of switchgrass, 

blazing star, wildest rye, we gladly 

remember we’re dead, because we can 

 

hear the drinking’s begun, hours before 

it’s time to light the pyre. And what else 

should we expect? It’s no secret that too 

much whisky clings to its place in the 

 

chain of inevitabilities. At junctions 

of dread and hilarity, it’s only natural 

to drown the hiss of our particles 

evanescing into the shoals. And if a punch 

 

or two is thrown, it’s done in the name 

of something at best like love, or at 

worst, kinship—because we’ve never not 

known we’d end up here together, settled 

 

by the hearth of our collective going 

concern. We knew we’d find each other 

again one last time, to mourn the genome 

binding us to men convinced that 

 

cosmic cinders molt from their thumb-tips 

and women whose eyes are a trousseau 

of forests no one else may enter. At this 

distance from them, from everything 

 

I thought I was, believed you were, there’s 

nothing left but the nourishing confection 

of emptiness unraveling before us. I am 

glad to watch the world collapsing 

 

within my useless heart. Birds alight

our hands. Tidal pools birth one-celled 

cities by our feet. It is almost too beautiful, 

almost too right. Even so, I cannot forget 

 

the mongrel breath of Unguentine and 

cigarettes at the Holiday Inn where 

Francis threw himself free of it all from 

a seventh storey rooftop back in ‘81— 

 

but this time my visual grammar parses 

that deadly flight as if he might’ve landed 

after all whole as newborn eggshell, 

Pall Mall in his mouth the closest we’d 

 

come to a cremation that day. And here 

he is now, tucking phantom twigs into 

the suttee in his fastidious way, drawling 

something like better to be late to my own 

 

funeral, than not show up at all. Maybe 

Francis and all our figment dead have 

shown up here now not to drop elegiac 

spittle into the fire, but to remind us 

 

the last thing we’ll each remember, or

see, or regret is the least combustible 

fuel beneath this burning. And all our 

dead —each one flitting in with a token 

 

sprig of sage, or grief, of delight, or 

surrender—agree it’s time to kindle 

the tree bones, time for the young ones 

to help us mount the wood pile. And 

 

all our dead are happy: in a few smoky 

moments, no longer submerged in our 

memories of them, they’ll sigh O, 

freedom—idle as a boat full of grasses. 

 

The young ones are unsurprised by 

how little remains of us in the end. Yet, 

handed a jar the size of a soda bread 

from the day-old bakery shelf, they 

 

weep to find we weigh much more 

than they’d ever dared imagine—weight 

the sums of yearning, heft the kilos of 

undoing, hectograms of ecstasies, tonnage 

 

of walk, sleep, talk, wait. At last, it is done. 

They have carried us beyond the wake of we. 

Our theoretical mass, reduced to ashes and 

sand, dives back, grit by grit, into the fire 


from where it came.



—The Rush / Mount St Mary’s Los Angeles, April 2026 

Sections

The Wake of We

The Wake Of We

a going concern

 

For what little it’s worth now, 

we might as well be a boatful of grasses 

beached on a highway: not the first time 

we’d have met each other in the wrong 

 

vehicle at the right nominal event. Or 

mistaken it for something else entirely. 

Yet here we are, believing there's room 

enough in what's left of land between us 

 

and sky to contain the end we’ve always 

been becoming. So we push on through 

the last inch of night, through sand-reed 

and rust to planks of dune parting us 

 

from the sea. Wading into the bull pines 

at dawn, the young ones got here early, 

chose pine stalks fallen on the duff mat, 

then hauled them back to the beachhead 

 

to stack crosswise for our incineration. 

Watching us waft in like dawn light, 

they know it is right to give us something 

to do: so we take our weightless fingers 

 

into the sedge and scavenge kindling. 

Hunched over heaps of switchgrass, 

blazing star, wildest rye, we gladly 

remember we’re dead, because we can 

 

hear the drinking’s begun, hours before 

it’s time to light the pyre. And what else 

should we expect? It’s no secret that too 

much whisky clings to its place in the 

 

chain of inevitabilities. At junctions 

of dread and hilarity, it’s only natural 

to drown the hiss of our particles 

evanescing into the shoals. And if a punch 

 

or two is thrown, it’s done in the name 

of something at best like love, or at 

worst, kinship—because we’ve never not 

known we’d end up here together, settled 

 

by the hearth of our collective going 

concern. We knew we’d find each other 

again one last time, to mourn the genome 

binding us to men convinced that 

 

cosmic cinders molt from their thumb-tips 

and women whose eyes are a trousseau 

of forests no one else may enter. At this 

distance from them, from everything 

 

I thought I was, believed you were, there’s 

nothing left but the nourishing confection 

of emptiness unraveling before us. I am 

glad to watch the world collapsing 

 

within my useless heart. Birds alight

our hands. Tidal pools birth one-celled 

cities by our feet. It is almost too beautiful, 

almost too right. Even so, I cannot forget 

 

the mongrel breath of Unguentine and 

cigarettes at the Holiday Inn where 

Francis threw himself free of it all from 

a seventh storey rooftop back in ‘81— 

 

but this time my visual grammar parses 

that deadly flight as if he might’ve landed 

after all whole as newborn eggshell, 

Pall Mall in his mouth the closest we’d 

 

come to a cremation that day. And here 

he is now, tucking phantom twigs into 

the suttee in his fastidious way, drawling 

something like better to be late to my own 

 

funeral, than not show up at all. Maybe 

Francis and all our figment dead have 

shown up here now not to drop elegiac 

spittle into the fire, but to remind us 

 

the last thing we’ll each remember, or

see, or regret is the least combustible 

fuel beneath this burning. And all our 

dead —each one flitting in with a token 

 

sprig of sage, or grief, of delight, or 

surrender—agree it’s time to kindle 

the tree bones, time for the young ones 

to help us mount the wood pile. And 

 

all our dead are happy: in a few smoky 

moments, no longer submerged in our 

memories of them, they’ll sigh O, 

freedom—idle as a boat full of grasses. 

 

The young ones are unsurprised by 

how little remains of us in the end. Yet, 

handed a jar the size of a soda bread 

from the day-old bakery shelf, they 

 

weep to find we weigh much more 

than they’d ever dared imagine—weight 

the sums of yearning, heft the kilos of 

undoing, hectograms of ecstasies, tonnage 

 

of walk, sleep, talk, wait. At last, it is done. 

They have carried us beyond the wake of we. 

Our theoretical mass, reduced to ashes and 

sand, dives back, grit by grit, into the fire 


from where it came.



—The Rush / Mount St Mary’s Los Angeles, April 2026 

Sections