When She Imagines You Now
It is always doing something
she has never seen you do.
Bending to draw a circle in the sand
in a single concentrated motion
with a lean sycamore branch.
Always in Maine. And it's winter
at low tide. The sands and snows
having crept together and driven
everyone away. But there you stand,
in faultless bareheaded solitude,
hewn into existence by the snap
and burn of unsoiled northern oxygen.
Then brushing the burrs from
a roan cob's tail. Alone in the barn,
warm and stilled at the end of day.
Immeasurable absorption in this plain,
intimate task. The two of you bathed
in a vinous brew of exhale, dander,
and silage.
Pulling a root from black November
earth of something you planted
and grew. Drawing back the curtain
at midday to take position of the skies.
Touching a Rafael.
Hoisting the mizzen. Brushing dirt
from your knee at Arlington. Sipping
coffee in Sao Paolo, silently watching
the dawn come in.
Sweeping dust from the stair
in your father's long-empty house.
Shaking the splintered filament
in a forty-watt bulb. Idly tapping
a cigarette on the faded roll of an
armchair. A sextant on your knee,
copper skin pocked with briny rust.
Touching the spine
of Merton's childhood prayer book.
Laughing, with your son.
Choosing a stone for carving in Paros.
Dawn light lacerating the mute blocks,
baring the one numinous tablet meant
only for you. Then heaving the weight
alone by mule and wagon, two days
of chalk and gravel to home. Lightly
as you lift the plan itself firsthand
to the deed.
The very idea of you, defying
senescence, contravening time.
Your son laughing, as only you can
hear him. This boy she will never
see you caress.
Peacock Journal, December 2018
Sections
When She Imagines You Now
It is always doing something
she has never seen you do.
Bending to draw a circle in the sand
in a single concentrated motion
with a lean sycamore branch.
Always in Maine. And it's winter
at low tide. The sands and snows
having crept together and driven
everyone away. But there you stand,
in faultless bareheaded solitude,
hewn into existence by the snap
and burn of unsoiled northern oxygen.
Then brushing the burrs from
a roan cob's tail. Alone in the barn,
warm and stilled at the end of day.
Immeasurable absorption in this plain,
intimate task. The two of you bathed
in a vinous brew of exhale, dander,
and silage.
Pulling a root from black November
earth of something you planted
and grew. Drawing back the curtain
at midday to take position of the skies.
Touching a Rafael.
Hoisting the mizzen. Brushing dirt
from your knee at Arlington. Sipping
coffee in Sao Paolo, silently watching
the dawn come in.
Sweeping dust from the stair
in your father's long-empty house.
Shaking the splintered filament
in a forty-watt bulb. Idly tapping
a cigarette on the faded roll of an
armchair. A sextant on your knee,
copper skin pocked with briny rust.
Touching the spine
of Merton's childhood prayer book.
Laughing, with your son.
Choosing a stone for carving in Paros.
Dawn light lacerating the mute blocks,
baring the one numinous tablet meant
only for you. Then heaving the weight
alone by mule and wagon, two days
of chalk and gravel to home. Lightly
as you lift the plan itself firsthand
to the deed.
The very idea of you, defying
senescence, contravening time.
Your son laughing, as only you can
hear him. This boy she will never
see you caress.
Peacock Journal, December 2018
Sections